Nothing to tell why I cannot write
in re Nobody; nobody to narrate this
latter acknowledgement: the self that counts
words to a line, accountable survivor
pain-wedged, pinioned in the cleft trunk,
less petty than a sprite, poisonous as Ariel
to Prospero’s own knowledge. In my room
a vase of peacock feathers. I will attempt
to describe them, as if for evidence
on which life depends. Except for the eyes
they are threadbare: the threads hanging
from some luminate tough weed in February.
But those eyes — like a Greek letter,
omega, fossiled in an Indian shawl;
like a shaved cross-section of living tissue,
the edge metallic blue, the core of jet,
the white of the eye in fact closer to beige,
the whole encircled with a black-fringed green.
The peacock roosts alone on a scots pine
at the garden end, in blustery twilight
his fulgent cloak stark as a warlock’s cape,
the maharajah-bird that scavenges
close by the stone-troughed, stone-ensurfed
Suffolk shoreline; at times displays his scream.
Geoffrey Hill, TLS, June 15 2007
An Australian writer living in Sydney, Roger Sandall is the author of The Culture Cult (2001), a study of romantic primitivism and its effects. His work has appeared in a number of places including Commentary, The American Interest, Encounter, The New Criterion, The American, Sight and Sound, Quadrant, Art International, The New Lugano Review, The Salisbury Review, Merkur, Mankind, Visual Anthropology, and Social Science and Modern Society.
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